Poetry: The Silence

She slips

off

her rocker

and giggles:

can it be
can it be

that all I

can see

is

reality?

She says, “Last night I thought
I heard God, but it mighta been
the Supremes.”

Wanna die, wanna die
from flying so high

today I am ten
and tomorrow
I’m 60.

More quiet,
more quiet,
more crazy
&
quiet.

(c) 2015-2019 Rob Goldstein

Poetry: Quicksand or Time

kneel into

self

as thick as

quicksand

or time

as short as

life

this mind: fritz!

still soft

words

then,

dreams of me

on the young

streets

at dusk,

reaching

for night.

(c) Rob Goldstein 2014-2019

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And Now for the Rumors Behind the News

I am taking a blogging break to work on a project.

I’ll be back at the end of September.

In the meantime, enjoy some forgotten greatness.

The Firesign Theater is best known for its biting and complex social commentary.

The group mixed the conventions of radio drama with the recording and writing techniques of The Beatles.

The result was rich multilayered surrealist satire.

“Animals without backbones hid from each other or fell down. Clamasaurs and Oysterettes appeared as appetizers. Then came the sponges which sucked up about ten percent of all life. Hundreds of years later, in the Late Devouring Period, fish became obnoxious.

Trailerbites, chiggerbites, and mosquitoes collided aimlessly in the dense gas. Finally, tiny edible plants sprang up in rows giving birth to generations of insecticides and other small dying creatures. “

An account of evolution from “I Think We’re all Bozos on this Bus” 1971

The group’s most successful album is “Don’t Crush That Dwarf, Hand Me the Pliers.”

Released in 1970, “Don’t Crush That Dwarf, Hand Me The Pliers,” is the story of George Leroy Tirebiter who lives in a world under martial law. Tirebiter is a former child actor who spends his time watching himself on late-night movies, a staple of broadcast television in the 1960’s.

Rolling Stone calls it the greatest comedy record ever made.

‘The Death of Marion Crane’ (c) Rob Goldstein 2014

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