I was unwell for most of December and January and did not find a featured
blogger for February so am re-posting my feature of friend and sometimes collaborator, Teagan Geneviene.
Since the first publican of this interview, Teagan released Atonement in Bloom.
The quaint town was stranger than Ralda Lawton could have imagined. The local population included supernatural beings. Yet only she and a few others knew about that.
Although she didn’t know the details, in a past life, Ralda ― Esmeralda had been involved in something with those supernaturals and it had carried into her present life. In Atonement, Tennessee, that almost got her killed. Now she has new problems, and new supes to complicate matters.
Atonement in Bloom continues the misadventures of Ralda, her friends, and neighbors in the small (but far from peaceful) town of Atonement, Tennessee. Her old house and cemetery are still there, along with Lilith the cat, quirky townsfolk, and assorted supernaturals.
Now Lilith the calico sniffs out a strange beast.
Fae foolery backfires.
A friend is abducted.On a cold December day, Atonement, Tennessee comes into bloom.
When did you start writing?
My seventh-grade teacher gave us an assignment that truly inspired my young mind — Write a story. However, we only had two options about the story 1) Write it from the point of view (POV) of a cartoon character, or 2) from the POV of the shoes of a famous person. Well, 12-year-old me watched talk shows after school, not cartoons. So, I saw plenty of “famous people” and “used to be famous” ones too, on Merv Griffin’s TV show. I liked the ones who talked about their pets. So, I wrote my story as a pair of red pumps belonging to actress Doris Day. (Back then I don’t think she was still making movies, but she was known for all her dogs.) I had so much fun that I also gave half the class verbal outlines for their stories.
In fact, I enjoyed it so much that I did a few stories on my own. My teacher wanted to see them. She said good things about the one for the assignment so (not that I thought I had any choice) I let her have the stories. They were Twilight Zone-ish stories and one was about child abuse. They got a lot of attention…
My teacher spoke to my parents.
My parents told me very sternly to never do that again!
That said, I guess I started writing in my late thirties. Throughout my life novels were my only escape from the personal difficulties (yes, abuse too) that I faced each day. I had read a couple of interviews with writers, and decided to write a fantasy novel. I did a lot of research and work, read more interviews, and then I dove into it. With that start, I never stopped.
You started your blog as an adjunct to self-publishing, how do you define your blog now?
I’m sure you’ve seen the same advice I always see for us Indies – You must have a blog to promote your work! Well, I couldn’t bear the thought of droning on about my novel with every post. Instead, I modified a writing exercise I created for myself long ago. I brought that exercise to my blog (Teagan’s Books). I had the readers send me three random things. I let the random things drive every detail of a serial story, setting, plot, and characters. That resulted in The Three Things Serial Story, which gave birth to my current release, a culinary mystery. However, this time the “things” are food related — or ingredients. So that one is Murder at the Bijou — Three Ingredients I. I’ve published both of those serials in book form.
That “pantser” style of writing, combined with engaging my audience (having them send “things” or otherwise promoting them) seems to have defined my blog.
I also mean for my blog to be a sanctuary for everyone. I keep it free from religion and politics, even though there are issues about which I feel strongly.
Where were you raised and how does that affect your style?
I’m a southerner by birth, but I was “enchanted” by the desert southwest of the USA when I moved to New Mexico. Like the old John Denver song, I had come home to a place I’d never been before. The truth is, I wish every day that I had never left. However, many things about the southeast – the deep south made an impact that remains with me. Following the advice, “Write what you know,” many of my stories have a southern setting.
What writers give you inspiration?
Robert Jordan (the Wheel of Time series) inspired me with his detailed world-building. Charlaine Harris influenced me with writing in first-person. That was something I never cared to do until I did my first National Novel Writing Month and created my début novel, Atonement, Tennessee. To my surprise, all the serial stories at my blog turned out to be written in first person as well. David Eddings influenced me with the way he showed his sense of humor, particularly in the Belariad series.
What are your top 3 tips for new bloggers?
Reciprocate. Answer every comment, and try to do so with more than just “Thank you.”
Don’t “act/look like an expert” if you are not. If you have credentials then say so – and make that information something the reader can find without digging. If you found useful information, and you just want to share it, then say so.
Make it easy to read. Light colored (or splotchy, speckled) backgrounds with medium colored text are hard to read, no matter how good your content. Also, those horrid pop-ups, soliciting subscriptions. If I’ve barely started reading and one of those things blocks me from that read, I don’t care to continue.
Thank you Teagan! A short section from one of your books would be great way to close the interview.
Since I’ve been promoting the release of Murder at the Bijou — Three Ingredients I, I want to share a short story. It is not in the book, but it’s still from that “universe,” and features the heroine of that 1920s series.
Pip’s a Chicken
“Bock, bock-bock. Bock! Baaawk!
Of all the nerve! My mouth dropped open. I was speechless. Granny Phanny bocked at me like a chicken. She bocked. She put her fists under her armpits and flapped her boney elbows — and she bocked at me!
Then, to make matters worse, she laughed.
Why that banty little old woman. Of all the self-important, cockalorem…
“Oh Pip, if you could see the look on your face,” she said, still chuckling. “It’s not like you to chicken out. Now tie on your apron and we’ll look at this recipe together.
Granny hung an apron around my neck, and then put her hands on my shoulders to forcibly turn me around. She tied a bow in back that I knew without looking was perfectly symmetrical.
“But Granny, I nearly set the kitchen on fire last time,” I complained, sincerely afraid of what damage I might cause.
“Hush that nonsense right now, Sweetpea. We’ll not be having any fires. Just because your fried chicken turned out as tough as an old rooster doesn’t mean you can quit.”
“An old rooster?” I exclaimed, mortified.
I looked at the recipe card. “Chicken Fricassee…” I read aloud. “Dredge chicken pieces in the flour mixture; coat well. Oh Granny, this sounds pos-i-lutely like a repeat of the fried chicken disaster. Granny?”
Phanny Ilene Peabody was gone. Her purse was missing from the corner table. I called out again and she hollered from the living room.
My eyes fell on the calendar that hung on the wall. Wong’s Chinese Restaurant made one annually for Chinese New Year. Granny was going to an early dinner with friends.
“No wonder she wasn’t worried about me ruining dinner again,” I grumbled. “Granny!” I yelled.
“I’ll be back this evening, Pip. Just keep the stove set to low while you fry that chicken, and follow the instructions for the fricassee.”
I blew a raspberry as the front door closed with a thud. My hand plopped down on the plump poultry with a smacking sound.
“Old rooster, huh? I’ll show her,” I muttered and went back to the recipe card.
Copyright © 2017 by Teagan Ríordáin Geneviene
All rights reserved.
The Three Things Serial Story
Amazon USA, Paperback and Kindle
Murder at the Bijou
Atonement, Tennessee Amazon Kindle and Paperback
You can also connect with Teagan at:
July 12, 1904-September 23, 1973
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
Norma Jeane Mortenson
June 1, 1926-August 5, 1962
I am not a victim of emotional conflicts. I am human.
Norma Jeane Mortenson
May 22, 1930 – November 27, 1978
el-Hajj Malik el-Shabazz
May 19, 1925 – February 21, 1965
“I’m for truth, no matter who tells it. I’m for justice, no matter who it is for or against. I’m a human being, first and foremost, and as such I’m for whoever and whatever benefits humanity as a whole.”
― Malcolm X
February 21, 1933 – April 21, 2003
“I am just one of the people who is sick of the social order, sick of the establishment, sick to my soul of it all. To me, America’s society is nothing but a cancer, and it must be exposed before it can be cured. I am not the doctor to cure it. All I can do is expose the sickness.”
― Nina Simone
John Fitzgerald Kennedy
May 29, 1917 – November 22, 1963
“If by a “Liberal” they mean someone who looks ahead and not behind, someone who welcomes new ideas without rigid reactions, someone who cares about the welfare of the people-their health, their housing, their schools, their jobs, their civil rights and their civil liberties-someone who believes we can break through the stalemate and suspicions that grip us in our policies abroad, if that is what they mean by a “Liberal”, then I’m proud to say I’m a “Liberal.”
― John F. Kennedy, Profiles in Courage
Martin Luther King, Jr.
January 15, 1929- April 4, 1968
There comes a time when one must take a position that is neither safe nor politic nor popular, but he must take it because his conscience tells him it is right. Martin Luther King, Jr.
Jean Maurice Eugène Clément Cocteau
July 5, 1889 – 11 October 11, 1963
The poet is a liar who always speaks the truth.
March 27, 1926 – July 25, 1966
Simone de Beauvoir
January 9, 1908 – April 14, 1986
Life is occupied in both perpetuating itself and in surpassing itself; if all it does is maintain itself, then living is only not dying. Simone de Beauvoir
December 19, 1910-April 15, 1986
What I did not yet know so intensely was the hatred of the white American for the black, a hatred so deep that I wonder if every white man in this country, when he plants a tree, doesn’t see Negroes hanging from its branches. Jean Genet
Header photo, Portrait of Malcolm X, by Rob Goldstein (c) 2016
Blog post updated June 2020
I would not have noticed her had the subway car not cleared
of people at Lexington Avenue.
She removed a tattered stocking cap and stuffed it
into a grimy army jacket.
She held a smudged white bag between her legs.
She reached into it and pulled out half a doughnut.
That was when I noticed her shoes.
The uppers had split from the soles; she wrapped
her feet in newspaper and rags.
I thought, Mother, you need shoes.
I wondered if forty dollars would do.
I looked up and watched her untangle a lock of
matted grey hair.
She reached into her bag and found a bobby pin.
She styled the lock of hair into a bun
I had forty dollars.
It was for vitamins; specifically, anti-oxidants.
My body was rusting faster than a wet Ford.
The crows feet around my eyes whispered: erase us; your
happiness demands our absence.
I examined the old woman’s cracked and broken shoes;
they were useless for January in New York.
She closed her eyes, as if ready to savor a long warm ride.
Maybe she lives in the subway, I thought, like those people
in the documentary, Dark Days.
If she never leaves the subway she doesn’t need new shoes!
My crow’s-feet said, ’Yes!’
But that can’t be right, I thought; an old woman, alone, with
nothing but a stale doughnut for dinner.
I saw myself stand, and watched as I took two twenties out
of my wallet.
Then I knelt and said, “Mother, you need shoes.”
She opened her eyes and smiled at me and
nodded in agreement.
“Will forty dollars do?”
“Yes,” she said, “God bless you.”
I gave her the money and returned to my seat, and
listened as my crow’s-feet maliciously threatened
to deepen and spread.
Rob Goldstein (c) 2014-2018 All Rights Reserved
First published 5/29/16