An Interview with Harold Norse, Part 1, Section 3– Saints and Self-Destruction

I ask Norse about his drive to write poetry.

He feels like a man without category.

He is not from the élite and he is not entirely of the poor.

He is not working class but he is not rich.

Norse was 53 in 1969, the year of the Stonewall Riots.

He was 60 when he published Carnivorous Saint and became
the poetic voice of the gay liberation movement.

Norse discusses recently published letters he received as a
young writer from W.H. Auden.

Auden advised Norse to accept the locked doors of the
literary world as a sign of his true calling in life as a saint.

Screenshot of an of W.H. Auden's letter to Harold Norse from the Contemporary Authors Autobiography Series in which Auden tells Harold Norse to accept locked doors ihn the literary world as a sign of his true callling as a saint
A section of W.H. Auden’s letter to Harold Norse from the Contemporary Authors Autobiography Series

When Norse speaks of a politically correct left, he means an academic
élite that restrains the use of a certain kind of language even when it’s
essential to the work.

Section 3 of the interview closes with a question of identify:

“It seems to me that you’re making more than a writer when you take
an illiterate and give him the ability to express himself with a self
conscious understanding of his real social and political position. That
is an extremely powerful thing to do and it can be devastating.”
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Interview with Harold Norse, Part 1 Section 3- Saints and Self Destruction

 

Scan of a typewritten note from Hal the Difficult to Rob the Impossible concerning a vast tureen of nearly finished chicken soup in the refrigerator
An interoffice memo left on the fridge one day.

An Interview with Harold Norse, Part 1 section 2:  The Pain of Becoming Literate

An Interview With Harold Norse, Part One, Section 1: The Art of Teaching
Header image is a flyer for a production of Bobby.  The figure is a shaman.

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Beat Punks

from Loud Alien Noize

Loud Alien Noize

A Brief History of the Counterculture from William S. Burroughs to Kurt Cobain

Bull Will.

An interview with Victor Bockris on his book Beat Punks

byPhil Weaver

I’m a huge fan of Victor Bockris’ book Beat Punks, a collection of interviews and photographs documenting the relationship between the Beat generation and the punk movement in the 1970s downtown New York scene. The book does a great job of illustrating the cross-pollination of two generations (’50s Beats and ’70s punks) that resulted in one of the most extraordinary cultural flowerings of the 20th century. I recently talked to Bockris about some of the ideas behind the book, and I was pleased to hear he’s about to begin work on a follow up with interlinking prose. He didn’t want to give away too much about the forthcoming book, so I proposed a general interview on the history of the counterculture’s clashes with…

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